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Windmill Brae: Ode to Aberdeen jobby

I was asked by a friend to make a flyer for a night in a place called Origin on Windmill Brae in Aberdeen. I lived there a few years ago. I have used the painting I did for this flyer in a zine I made for sale at HAND MADE AND BOUND on November 1st 2009 in St Aloysius Social Club 20 Phoenix Rd, London, NW1 1TA‎. Many thanks to Rosie who has organised a stall for us.



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Drawn for Dracule

Working on a sequence.
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1897 rail map and symbols for Dracula



For 'everything' task: Dante's Inferno, symbols of loss, superstions, religeons, Whitby Abbey and rail map of London dated 1897. Focus is now on trances, hallucinations and madness.









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Elective day is on Friday

After a relatively prolific discussion about theory, practice, the constructed concept of aesthetics and the benefits of reflection and analysis on practice, I was thus introduced to my elective of digital environments. Which was good. I have set up a blog especially for this part of the course and this kind discussion aptly named POSITIVE NON POSITIVE: http://positivenonpositive.blogspot.com/




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Mutate Britain featuring TWIGFACE

Tonight is the private view of MUTATE BRITAIN. A highly prolific event/exhibition of outstanding initiative and innovation that has been steadily growing underneath the Westway near Ladbrook Grove station. Ive seen it mutate over the last few weeks and it's looking exceptional. Its put together by the Mutoide Waste Co who brought you TRASH CITY. The people involved are fascinating and have done some outrageous, wonderful things. Im glad to be involved with them and to have seen all the other artists generate such an interesting space. Its going from 9th-25th of October 2009. There is lots of time for you to visit. Here is their blog


AND! You can purchase a beautiful giclee print of TWIGFACE (the owl I painted) here, the Mutate Britain online store! 






























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IN RECEIPT: A very thin layer of conventional thermal sensitive material

It has recently been drawn to my attention that most receipts are not printed using ink. The information displayed on most receipt paper is infact transferred onto the 'paper' which is coated with a very thin layer of conventional thermal sensitive material. The information is created by a light (heat) source 'spelling out' the information onto the surface, causing a physical fusion process to take place in the thin thermal sensitive layer part of the surface (e.g. of the receipt paper) where by the areas exposed to the light source melt rapidly and assume a change in pigmentation. The trick lies in the fact that the change in pigmentation only takes place when in liquid state and the heat makes the thermal sensitive layer change phase from solid to liquid. This change is permanent when it cools and re-solidifys, which happens quickly. The faster it cools, the more lasting the effect. The side of the paper with out the coating is left unchanged.


Anyway, this for me was astounding. I had a most exciting day playing with light bulbs, lighters, kettles and this has been right in front of me all along. People bang on about thermal transfer printers all the time and yet no penny dropped. Until now.

Here are some of the results from heat-play. Its very exciting that the backs of all these receipts remains unchanged compared to the difference that appears on the coated side.

Rubbing also marks this paper type because friction creates heat. I would like to get my hands on some massive sheets/rolls of this paper and will read up about something called 'thermochomism', the likes of which exists in mood rings and those mugs that change picture when hot beverage is poured inside. It will be of use to me.



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The work of MATTHEW BARNEY and other images

Matthew Barney (born March 25, 1967) is an American artist who works in sculpture, photography, drawing and film. I think these examples of his work relate visually to some aspects of Dracula. http://www.cremaster.net/


















































1) View for the air from this website of Pir Pangal Range near India.
2) Temple and Enclosure of Marttand or the Sun, near Bhawan in Kashmir A.D. 490-555. I like this, thought it rather tomb-like. (Found imagery for Dracula- reproduced in Henry Hardy Cole's Archaeological Survey of India Report 'Illustrations of Ancient Buildings in Kashmir.' 1869).











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OXBUSH: For Oxjam

My pal Dave is putting on an Oxjam jobby at Ginglik. Its a fundraising event for Oxfam called OXBUSH.

The blog is jammyox.blogspot, called OXBUSH because it will be in Shepherds bush. T'shall be wonderful eve full of exciting musical treats and an outrageous raffle table with prizes to stand infront of a bus for. It will be most rousing, stimulative and exhaluting so you should go. There will be cake sale in Camberwell this month to raise moneys on behalf of Oxbush so as to contribute to their contributions t'ward the cause. If your there, buy some cake. If you desire to make one to sell, please do. Ill be on a table by a door with some cakes on it in the imminent future, I shall give fair warning and corresponding co-ordinates.

I made the flyer for Oxbush from a recent painting of an owl.


















Here is the lineup with links. I CANT WAIT FOR THE RAFFEL PRIZES! WHAHAHAHHA! Anyway....


LISTEN&FOLLOW PRESENTS:

REID MORISSON (tree top flyers)

Go to the blog for more info and to purchase ticketys.


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Edward Burtynsky: WA Mines

These photographs are by Edward Burtynsky. His work examins the excavation the ground and of the human. There is something slightly apocalyptic about them and its interesting how he makes them show the effects of industry, demand and commerce. I have included some of his photographs of mines in Western Australia. These photographs are stunning but the aggressive nature of industry is evident.











Also have a look at this website/blog about industry and sustainability http://www.worldchanging.com/




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THINGS








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Biteproof issue 2: CYBERNETICS, DIANETICS AND A HYPODERMIC OF MUTANT GENETICS

Biteproof is an independent publication where the title of each issue is the running theme. It is a compilation of contributions created by a variety of artists illustrating the title. Only sections (or crops) of work as part of the contributors obligatory terms and conditions of participation are allowed to be published on line (rights remain those of the artist). Therefor the only way to see the whole is by purchasing the book. A response to promoting the genuine purchase of art publications and to advocate the aesthetics of physical ownership by democratizing the purchase of artbooks through affordability.

http://www.biteproof.com/

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Current Studies of Tommy Hinks

Saw this on Field's blogage. I thought I would paste a mention as I beleve it deserves one. A bit more research for elective perhaps.

Current Work - PhD Studies

I (Tommy Hinks) am currently based in Dublin as a PhD student, working on methods that will make Aerial Laser Scanning a first-class tool for urban modeling.


Click on this for more of the computer-graphic projects of Tommy Hinks in no particular order.


http://csserver.ucd.ie/~thinks/



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True dat: Quote from Dan Kitson as found on OUTLAWSMIX.COM

Quote of Dan Kitson:
http://www.outlawsmix.com/Blog/2009/07/daniel-kitson.html


* In addition to the itinerary of drawing places for Dracula I will go to The Tower of London and to Piccadilly/Green Park and look for a house to draw like the one in the book.
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EIS: Extreme Ice Survey

These animations are compiled by EIS (Extreme Ice Survey) the most the most wide-ranging glacier study ever conducted using ground-based, real-time photography. They illustrate changes in geological time that we can actually witness and highlight the reality of the effects of climate change. Its quite shocking and quite stunning and quite difficult to forget.


GL-A Rink Narrated




AK-03 Columbia Cliff Narrated



IL-04 Solheimajokull

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Marbled paper is top

Marbled paper is best. Ill learn it one day for some reason. The first one even looks a bit meaty, which I like VERY much, and will be a useful thing to learn how to do.